photography

How to plan a photoshoot

As a small ( or not so small ) business owner / creative there will perhaps come a time to consider hiring a professional photographer for a photoshoot. Whether it’s for a headshot / portrait, product photography for your website or social media, a market stall application, event photography, pitch to a magazine… but where do you begin?

How to stay "Instasafe" as a creative

I love Instagram. It lets me communicate to the world what I'm about (nourishing food, natural light and comfortable shoes wherever possible, and preventative health in life, law and business!), and has allowed me to connect with so many like-minded clients...

The importance of a professional headshot

You only have to spend a few minutes looking through LinkedIn to see how much of a difference a professional headshot can make. No longer are your shoes the first thing a person notices. We live in a visual time and your headshot is the new first impression.

Whether it’s Facebook, LinkedIn, Tinder or Instagram, different platforms have different audiences and therefore require different headshots. You know that photo of you drinking wine on the beach in Mexico? As good as you look in it, is not going to land you your dream job. I’m not saying that your professional headshot needs to show you sitting nice and straight in a sharp suit against a plain background — though that might work for an IT professional or a CEO — but even creatives like photographers and graphic designers need professional images, albeit with a little more creative license.

Small town creative: Tara Pearce, wedding photographer

CWC_2016-01-21_georgia-phase_insta-graphic_template
By Jasmine Mansbridge

Tara Pearce is one half of Erin & Tara, a wedding photography business based in Kyneton, in the Victorian Goldfields. Erin & Tara have only been in the photo business for five years, but are in demand to capture the special days of couples all over Australia. You can find them on Instagram and Facebook.

First up, tell me about where you live. Have you always lived 'out of town'?

I live in Kyneton with my husband and two children. It is about a one hour drive from Melbourne. We have been here for eight years now. I spent time living in Kyneton when I was a child and my husband grew up here, so we both have a long term relationship with the place. It's been a great place to raise our two children Yorke and Mak, they are very established and happy here. It is far enough away from the city to be removed from it, but close enough to do business. My husband commutes there for work on a daily basis.

What is your employment background Tara. Can you tell me a bit about that?

Well I initially did a business degree and worked in the public sector. Our photography journey started 5 years ago when Erin & I thought it would be fun to photograph a wedding! This was before we owned a camera let alone knew how to use one. Let’s just say Google is our best friend!

Seriously? How can you have only been in the photo business for five years, that is crazy. You have done so well. How did you go from a city job to self employed creative. What did the transition look like?

Well initially I met a stylist, and I became a styling assistant. That only lasted a few gigs as the whole time I was watching the photographer and realised photography was something I would like to do. I was good friends with Erin and we started talking about it one day saying, this wedding thing, we could do it. We shot our first wedding together 3 months later and it all started from there. The biggest challenge was learning the technical side such as how to use a camera. Each year has had it’s own turning point from personal achievements such as creative growth to learning how to accept rejection gracefully. I believe the key turning point for us was when we started to trust our own judgment and abilities, which lead to more confidence giving us the freedom to express our creative vision.

In our first year we shot 30-40 weddings, the two of us with a camera each, so we could double our chance to achieving our vision and nailing the shot.

So five years on what has changed in how you do business?

After the first year of shooting weddings together we where pretty confident photographers and so we decided to shoot wedding individually. It works really well as that way we can commit to other individual work and family life. For example I generally take destination weddings while Erin prefers local weddings as she has younger children. These days we also have a team of talented assistants and we are about to launch a wedding photographer agency.

Can you tell me what has been your biggest challenge for your business?

Finding a good work/life balance! We are slowing finding a way to switch off from all the emails, but in the first three years of our business, we felt like we had to be 'on call' and sometimes I'd find myself emailing clients back at 2am. Crazy times! Not being photographers from the start meant having to learn all the technical stuff which was very daunting but together we worked it out. To be honest we learn something new every day, it's a pretty exciting industry to be in.

Oh and I nearly forgot…..juggling children and running a full-time business from home has it's challenges ;)

What about Erin & Tara are you most proud of ?

Looking back and remembering the conversation we had in a local cafe about becoming wedding photographers, that was five years ago and seeing where we are today! This is an achievement one we are very proud of.

What do you think has contributed to your success?

A lot of hard work, persistence and support from our amazing husbands! I'm also a massive believer in the Universe providing what you need when you need it.

Jasmine Mansbridge is a painter and mum to five kids. She regularly blogs about the intersection of creative work and family life, as well as her recent projects and travels. You can also find her on Instagram.

My Advice: Photography Tips

my-advice-photography-tips_creativewomenscircle_karina-sharpe By Andrea McArthur

Human beings thrive on the visual, especially those who consider themselves creative. The online world reflects this - today our businesses and creative output is supported by image-heavy blogs, websites, and social media feeds which make it important to represent yourself and your imagery in the best possible way.

This month, I asked three professional photographers for their tips to improve the result when you're tasked with presenting your products or work in the best possible light.

Karina Sharpe, Conceptual Artist and Product Photographer  www.karinasharpe.com.au //  Instagram // @karina_jean_sharpe


Karina Sharpe

Imagery is big these days, and high calibre imagery has become both the norm and the expectation. I teach a lot of people how to take good photos more effortlessly - and less by accident - in my Benchtop Photography workshops. These are the three tips that people seem to find of most value.

1. The direction of LIGHT, in relation to an object’s position and orientation, can be the single most transformational element of your photographs. This is because objects have a form that will show itself differently depending on how its surfaces are lit up. Begin to notice the light around you and where it is coming from. Try and set your arrangements up on something that you can spin around in relation to the light source. Then, play with how the light falls onto, and across, your objects. Observe what gives the most captivating result.

2. SHADOWS are definitely not your enemy. In most situations we want to engage with our audience on an emotional level, and shadows provide depth, tangibility, realism and substance. However, we want to try and avoid the shadow of one object falling across another object, so become aware and move your objects if shadows are falling in an unfriendly manner. Also, try to avoid double shadows. If you notice this is happening, try to eliminate any extra light sources.

3. Creative use of BACKDROPS allows our images to standout, be recognisable, and build consistency for our brand. Coloured paper or cardboard are easy options, and things like tiles, fabric, flooring offcuts and fake timbers & textures give even more scope. Choose surfaces with your brand’s ethos in mind; timber is not just timber – white-washed might look refined and adventure-y, whereas a dark rough grain would be more earthy and homespun. Ask yourself, which timber am I?

Karina Sharpe

Jessica K Reftel Evans, Photographer www.amorfo.net // Instagram // @amorfophotography


Jess Evans

Before setting out on taking your images it's a massive time saver to work out clear visual objectives. Storyboard what it is that you're trying to achieve; a colour palette/mood-board and if you want these images to be more editorial/environmental or clean/factual. Take these thoughts with you as you prepare the shoot with backgrounds and props. Keeping the styling consistent is the key.

To display most products honestly and flatteringly I would suggest using a soft light source. If you don't have special lights you can use a window. Avoid direct sunlight and diffuse the light with a photographic scrim or thin white fabric. If the shadows are too heavy use a white card or another piece of white fabric on the shadow side of your product. Also, turn off your roof lights since they might change the colour temperature and light of your image. The colour of daylight changes throughout the day. So to make sure that your images have consistent and accurate colour representation use white balance settings. This can be done either on your camera or in your image processing software.

And remember, you might not get the perfect image the first time. So just practice, experiment and most importantly have fun. Happy shooting!

Hannah Rose Robinson, photographer www.hannahrose.com.au // Instagram // @hannah_rose_robinson


Hannah Rose Robinson

Tell a story. In today's world we are so bombarded with images everywhere we turn that it's hard to stand out. A visual identity is so important - carving out a style that is unique and becomes a recognisable brand, they tell a story through all the elements involved. Photography is just one element of that but an important one. Use imagery that tells a story, or evokes an emotional response. Put multiple images together to create a mood, or piece together a narrative. Write something to accompany the image/s, tell a story. I want to know what people are about, how they feel, their views on the world. Show your process. This is engaging and people like to be invited into the intimate space you can create with images and words. No matter what the subject matter, food, products, people, how can they be a story. What else is in the picture, what else can help tell my narrative.

Be unique. We are all guilty of scrolling Instagram or a favourite blog and getting tunnel vision on someone else's style when we see an image we fall in love with. Try not to get lost in this. I like to see people be different from the masses, find their own vision. There will always be trends that will come and go, but if you spend some time looking deep and hard on what your core vision and personal brand message is, you should be able to start carving out your own style. Be inspired by the images you like, but don't look to be a copy. Look to what the elements are that you like in those images (maybe it's the light or tone or mood) and be inspired by them to create your own unique look.

Switch off. The online world that we are all so intrinsically plugged into these days is immense. It takes up a lot of our time, we devote it our time, and it demands our time. Our technology and online lives are so ingrained in our experiences these days that it frankly makes my head ache. So my big tip is to switch off. Every now and then just switch it all off. Don't take a picture, don't blog, don't scroll. Go do the things you love to blog about and reconnect with them on a fully present scale. It's easy to miss the essence of a moment, lose sight of the essence of your work- whilst being lost in how to capture and share it. Every now and then, switch off and revaluate the process. Go climb a mountain purely to feel the joy in the ache of your legs, to feel the air sweetly fill your lungs, to drink in that view from the top, be fully present. Don't take a picture. Make a memory, and keep it for yourself. Put them in your bank to inspire you. It reboots your brain, and will only mean great things for all your creative endeavours.

Hannah Rose

Film image from 'The Last Nomad' series by Hannah Rose.

- - - Thank you ladies for sharing your photography tips. I am definitely going to have a play with my camera soon!

{Title image by Karina Sharpe}

Andrea McArthur (www.andyjane.com) has a passion for all things visual and works as an Art Director and Designer for the Brisbane Festival. Design is her true love and she goes weak at the knees over strategic branding. You’ll find her sharing on Instagram @andyjanemc.